- #CYTOMIC THE GLUE MULTIBAND PRO#
- #CYTOMIC THE GLUE MULTIBAND PROFESSIONAL#
- #CYTOMIC THE GLUE MULTIBAND FREE#
It's basically a fixed waveshaper that is linear up to ‑2dB, has a smooth curve to ‑0.5dB, and is then horizontal. To catch overshooting transient peaks, there is a peak clipper available with zero attack and release time, and with a fixed infinite ratio and medium knee. Unfortunately, the VST3 standard is not yet supported, so the success of setting up an external side‑chain very much depends on the DAW host and its ability to route audio in a flexible way. When you press the external side‑chain button, the plug‑in reports one or two extra inputs - depending on whether it is set up for mono or stereo processing - making it possible to use any signal to control the compressor. The side‑chain EQ is a gentle 6dB/octave filter with a cutoff frequency that can be set from zero to 2000Hz, and it can be applied to the internal signal or an external side‑chain signal. Threshold and make‑up gain are represented by two knobs but, more interestingly, there is a compression range knob, which limits the maximum amount of compression applied, regardless of the other settings. As for the release settings, they range from 0.1 to 1.2 seconds, with the classic auto‑release at the clockwise extreme. The attack settings range from 0.01 to 30 milliseconds (the fastest setting is not present in the original hardware). At 4:1, the compression becomes more obvious, and at 10:1, The Glue is basically a peak limiter. The classic three‑step ratio knob is positioned in the middle of the interface, and at its 2:1 setting a relatively subtle soft‑knee compression is applied. The two pretty much share the same settings except that there are additional attack and release settings in the plug‑in, along with a high‑pass side‑chain filter, Dry/Wet control, and compression Range control. During the process of creation, an XLogic hardware unit was used to compare and tweak the performance of the plug‑in. Schematics from the SSL E‑series bus compressor have been used to build the digital model, but instead of modeling the non‑linearity of the VCAs, a 'perfect' VCA has been modelled, which makes The Glue sound more like the modern SSL XLogic G‑series compressor. The Glue is based on the highly acclaimed SSL bus compressor.
#CYTOMIC THE GLUE MULTIBAND FREE#
The CEO and founder Andrew Simper started out making free VST plug‑ins under the name Vellocet in the late '90s, and later moved on to developing effect modules for FXpansion's highly acclaimed Guru and BFD2 drum instruments, before working on the same company's D‑CAM: Synth Squad, which received a rave review in the January issue of Sound On Sound. How does their plug‑in compare with established offerings from Waves and UA?Ĭytomic are a rather new company, but do not lack in experience when it comes to making plug‑ins.
All the routing is done with mixing in mind.Cytomic have gone to great lengths to mimic the sound of the famous SSL bus compressor, with its unique ability to 'glue' things together. This is a mixing template and not a tracking ( recording ) template.
#CYTOMIC THE GLUE MULTIBAND PROFESSIONAL#
LiquidSonics : Seventh Heaven Professional SoundToys : EchoBoy, PrimalTap, MicroShiftīrainworx : bx_digital V3, ADPTR MetricAB
Waves : PuigTec EQP1A, CLA-76, Aphex Vintage Exciter, C4 Multiband, C6 Multiband, DeEsser, CLA Effects, CLA-2A, CLA Vocals, PuigChild 670, L2, RVox, RCompressor, MannyM Reverb, SSL Channel / IMPORTANT : Plugins and DAWs are not included ! The template require licensed retail versions of plugins / DAWs. The following plugins are used in the session ( FOR V2 ) : In the V3 of the template I`ve used only Waves plugins ( PuigTec EQP1A, CLA-76, Aphex Vintage Exciter, C4 Multiband, C6 Multiband, DeEsser, CLA Effects, CLA-2A, CLA Vocals, PuigChild 670, L2, RVox, RCompressor, MannyM Reverb, SSL Channel, Rverb, Manny Delay, F6, H-Delay, MetaFlanger )
#CYTOMIC THE GLUE MULTIBAND PRO#
The template is available for Studio One, Cubase, FL Studio, Live 10, Pro Tools and Logic X.
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